Faking it: Han van Meegeren’s ‘Vermeers’ and the Aesthetical Value of Forgery

Han van Meegeren, Supper at Emmaus, 1937, Museum Boijmans Van Beuningen
Johannes Vermeer, Christ in the House of Mary and Martha, 1655, National Galleries Scotland
Caravaggio, Supper at Emmaus, 1606, Pinacoteca di Brera, Milan
Han van Meegeren, The Lacemaker, c.1925, National Gallery of Art, Washington
Han Van Meegeren, Christ with the Adultress, 1942, Museum Boijmans van Beuningen, Rotterdam



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Rada Georgieva

Rada Georgieva

Art History and Russian MA student at the University of St Andrews, Scotland.